jazz, free jazz, free improvisation - hot off the press

The 12-piece-band live recordings of the complete Tower 'repertoire', from two concerts during the 2012 tour, gathering all musicians from the 4 volumes of the Tower cycle (see vol. 1, vol.2, vol.3 and vol.4 for the whole story) on one stage. Complete with 2 booklets and access to exclusive video content: Tower in the Mist, a film by Sylvain Lemaire.
Limited edition of 1000.

An atypical ensemble which brings together Roberto Negro on piano, Théo Ceccaldi on violin and viola, Valentin Ceccaldi on cello and Adrien Chennebaut on drums and percussion, La Scala was born nearly two years ago as a result of a commission for a theatrical production.

The idea here, though, is not so much theatre as ascension (« La Scala » meaning the ladder or the stairway in Italian), a vertiginous pathway through a spiral staircase, a paper stairway, a stepladder, an ever unpredictable rope ladder, used by a sure-footed four-man roped party with a constant ear to each other’s movements. A compact formation, La Scala forges ahead, straight to the core, to the top.

In this programme of original music mixing improvisation and composition, navigating between tormented contemplation and explosive lyricism, the music unabashedly allows itself to be at turns minimalistic, crazy, improbable, festive or unbridled. It’s as if Bartok, Schoenberg or Stockhausen had tried their hand at blues, bop, free jazz or even rock, yet still intensely sculpting the sonic texture while letting a sense of humour sneak in.

There is no elevator to La Scala - one must climb up there by their own means, and fearlessly embark on this musical adventure.

Created in 1994, the duo of Joëlle Léandre and Pascal Contet was instantly praised both by the critics and the public for the strength, inventiveness and creativity of the two musicians on their first album, published by Concord/7 Media. 11 years later, Léandre and Contet met again in the studio to record their second CD for Clean Feed, Freeway, built on a series of twelve scenes.

Recorded live at Carré Bleu in Poitiers in 2012, the 2014 release of 3 celebrates the duo’s 20th anniversary, and again, their emancipated and “comprovised” chamber music (incorporating all boldness – microtonality , dissonance, polyphonies, … – but never indulging in a mere exhibition of technique and virtuosity) surprises us by tracing its path in the depth, intimacy and resources of a musical friendship where listening remains inexhaustible.